For all you flash-on-the-camera photographers out there Womens Rickey Henderson Jersey , you've come a long way but there's a higher lighting plateau of quality photography called double lighting. Are the benefits of using two lights for your social events worth all the trouble and extra cost? Sure, the flash on the camera is safe, foolproof and convenient, but if you compare the two types of lighting, the difference is striking.


First, the color is more intense. The main light strikes the subject at an angle Authentic Glenn Hubbard Jersey , sending the reflected, colorless light off axis, away from the lens. Except for highlights, the absorbed and scattered light entering the lens contains only saturated color. The light on the camera serves two purposes: to keep the density level of the shadow areas high enough for good contrast and detail, secondly to evenly light the whole picture area, and thirdly to flatter the faces and remove the bags under the eyes.


In order to achieve the above benefits Authentic Reggie Jackson Jersey , a proper ratio must be retained. One easy way is to set the lens on F8, the fill flash on F8 automatic, and the modeling light on F11 automatic. This configuration should produce twice as powerful a light coming from the modeling light as from the fill light no matter what the distance from the lens to the subject. Ideally, a flash meter should be used to verify and fine tune the output. If a flash meter is not available, a few test exposures will suffice.


A second method sets the fill flash on manual one half power and the modeling light at manual full power. This setting requires the F stop to be changed if the distance from the lens to the subject changes significantly unless OTF (off-the-film) is available in the camera.


While the fill flash can be conveniently kept small, there are several options available for the modeling light. A small silver umbrella reflector (minimum 18 inches in diameter) is the least expensive and does a good job. Better is a soft box (minimum 12 inches in diameter) but requires a more powerful head. Simplest is bare bulb which is soft but not too flattering to faces and requires a lot of power. Four hundred ISO is fast enough to use with 100 WS electronic flash. I recommend the use of a radio slave to trigger the second light for a guaranteed proprietary use. Other flashes in the room will have no effect on your second light Authentic Joe Morgan Jersey , saving the batteries and preventing other photographers from using your light andor ruining their own pictures.


Though a light stand is sufficient to support your second light, with a little instruction, a live person will save you a lot of running around. The modeling light may be situated to the photographer's right or left side, producing a thirty degree angle to the subject. If the subject is twenty feet away from the lens, the modeling light should be seven feet to your right or left. An added benefit is that the backgrounds will be softly lit, but will never overpower the subject in importance.


For those photographers working with a digital camera with a built in pop up flash Authentic Walt Weiss Jersey , a small slave flash will do the job. Vivitar makes a slave flash with a guide number of 93.


This is three times more powerful than the flash in the camera but 14 or 18 power can be set for a better ratio. With the camera ISO set on 200, the Vivitar DF200 is powerful enough to be used as a bounce flash. Aim the slave flash into a corner of the room (half on the ceiling) behind you and to the side. Use full power on the flash and try setting the aperture on F5.6. The camera flash may need to be softened with a piece of translucent plastic. I recommend a few test exposures to verify the ratio. One benefit of bounce flash is the nice modeling you get on the faces. Another is that the same camera settings can be used for any distance from the camera. You will be amazed at the saturated colors and the three dimensional effect of the modeling on the subject.


Our skillful skulls Health Articles | August 1, 2011
It?s rather hard to imagine our lives without our minds, for I seriously doubt we could imagine anything. We would probably resemble all those....


It?s rather hard to imagine our lives without our minds, for I seriously doubt we could imagine anything. We would probably resemble all those mindless creepy creatures in us we need to nourish everyday; but since we realize we need them to exist, we shouldn?t mind.


However Authentic Tony Phillips Jersey , I still don?t mind saying that a mind without an imagination will always remain a creepy thing...for without our imagination, we wouldn?t know what to do with the knowledge in our minds. Our minds and imaginations, when co-operating, make a very highly efficient and exceptional team ? we blazon forth with an assortment of splendid, flashy, and magnificent speculative notions. Without them Authentic Matt Chapman Jersey , we would never be capable of relishing the delight of a stroll in a warm summer rain, relaxing on a mesa or the desert contemplating a beautiful sunset, snoring in a forest under the stars, watching the clouds roll by, noticing your tire is flat, nor any of the other wonders of life ? and we surely couldn?t imagine what the hell this is all about.


If we consumed more of our time exercising our minds and imaginations Authentic Stephen Piscotty Jersey , there?s no imagining what we could imagine to accomplish with them. We could practice by imagining that politicians were honest, we won the lottery, the IRS sends us a refund instead of an audit notice, or that our blind date is perfect. But just imagine if we had the imagination of a child. When a child is playing with an imaginary friend, we imagine the child?s friend is imaginary ? but in the child?s mind, his imaginary friend is not imaginary Authentic Rickey Henderson Jersey , it?s real! It?s real because we live our lives in our minds.


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